The Sydney Feminists

The alarm clock sounded and she stirred in bed. It was 4:30am and too early to get up. She felt like her head had only hit the pillow a moment ago. She couldn’t remember what day of the week it was; the days were blurring into one continuous shift. She and other women, of the Disney ink and paint departments, had been working double shifts to get the celluloid prints for Snow White and the Seven Dwarfs finished in time for its premier. She reluctantly placed one foot out of bed and onto the cold surface below. She got up and raced to get ready before her mind had time to catch up, and complain about the sudden exertion. After leaving her apartment eating the last remnants of a quick breakfast, she shivered waiting for the bus. It was still early, but she fretted because anything could still happen to make her late. After hours of zigzagging on public transport, she had made it to the studio. She was just in time for the 9:00am start. Managers rhythmically walked back and fo...

In 1937 Walt Disney Animation Studios released Snow White and the Seven Dwarfs . The film was a commercial success with ground breaking visuals. It was the world’s first feature-length animation with over 1.5 million hand drawn cells being used for its production. With a number of timeless classics following in only a few short years ( Pinocchio , Fantasia , Dumbo and Bambi ), the studio quickly obtained a reputation for pioneering innovation. Like Walt Disney himself, the studio’s Nine Old Men animators (as they were affectionately known in later years) had reached a level of celebrity and praise for their work. Little was publicly known about the handful of women that had made the transition from the ink and paint departments to join the male animators. They worked for less money and, in many cases, didn’t even receive a credit on the final film to acknowledge their contributions. Though the records are scarce, there are four female animators who standout: Bianca Majolie, Sylvia ...