Betty Boop Through the Years
Cartoon character Betty
Boop took the world by storm upon her debut in 1931. Her unique voice, signature
“Boop-Oop-a-Doop” catchphrase and Jazz-age flapper dancer look made her
standout from her Disney and Looney Tunes animation contemporaries. She was
aimed at an adult audience and was considered one of the first Hollywood sex
symbols. Like many other areas of American cinema at the time, when the
Production Code was implemented in 1934, Boop saw drastic changes in
representation and personality. She went from a carefree, sexually confident
independent woman to a conservative fully dressed introvert.
Mae Questel and Max Fleischer
Boop was the brainchild of
Max Fleischer. He was born on July 18, 1883, and was also known for bringing the
Popeye the Sailor Man comic strip to
the silver screen. After completing a commercial art degree, Fleischer worked
in various forms in the entertainment industry. He started Inkwell Studios with
his brother, Dave, in 1921. Besides Betty Boop and Popeye, Inkwell Studios are
also famous for creating the first Superman cartoons. Dave directed all one
hundred plus Betty Boop shorts.
Changing the name in 1929, Fleischer
Studios pioneered sound in animation. The first series was Song Car-Tunes in 1924. It beat Disney’s Steamboat Willie – Mickey Mouse’s debut – by almost four years.
Each Song Car-Tunes entry was
approximately three minutes long and also started the “follow the bouncing
ball” trend. Audiences could now singalong by following a ball on the screen as
it moved to music and subtitles. Talkartoons
was another series of short animation films introduced in 1929. This is where
Boop first appeared.
Boop as a French Poodle
Betty Boop’s first
incarnation was an anthropomorphic French poodle. Within a year of her first
short, Dizzy Dishes, Boop’s
appearance changed to a woman. Her human form was modelled after Clara Bow, Helen
Kane and “Baby” Etsher Jones. Bow was known for her supporting roles in It and Wings. Both films came out in 1927, with Wings winning Best Picture at the first Academy Awards. Kane and
Jones were both 1920s Jazz singers. Kane was known as “The Boop Boop a Doop
Girl”, eerily similar to the character’s famous catchphrase “Boop-Oop-a-Doop”.
Mae Questel
A handful of women have
voiced Boop, but Mae Questel is by far the most recognised. Born in 1908, her
original plan was to become a teacher. Questel got the role after participating
in a Helen Kane impersonation contest. She won and received $100 (no figures in
this article have been adjusted for inflation). The contest ran yearly from 1928
to 1938 and women aged between six and eighteen could enter. Questel was also
famous for voicing Olive Oil in the Popeye
cartoons.
Helen Kane
In 1932, Kane sued
Fleischer and his studio for using her likeness as Betty Boop without
permission. She demanded $250,000 in compensation and the lawsuit dragged on
for a couple of years. Kane said to Fleischer she would drop the case if he fired
the other women and made her the sole voice of Boop. He only wanted Questel and
the case continued. The lawsuit ended when footage of “Baby” Etsher Jones
performing surfaced that proved that she was the real caricature and
inspiration for Boop. Jones was unable to be located to testify. It was later
believed she had died the year before.
“Baby” Etsher Jones
At the height of her
popularity, Boop was shown in cinemas all over the world. She was especially well
received in Japan. So much so that Boop sings in Japanese in A Language All My Own (1935). Fleischer
wanted to make sure the cartoon was as authentic as possible and used Japanese
exchange students as a test audience.
Boop in A Language All My Own (1935)
A stricter Motion Picture Production
Code was introduced in 1934. It was a way of censoring film content before distribution.
It was regulated within the industry itself by the Legion of Decency, a group
that had strong ties to the Catholic Church. The doctrine consisted of a list
that was thought to be offensive to a film going audience. Some areas that were
boycotted included homosexuality, interracial lovers, drug and alcohol use,
abortion and nudity. Couples were no longer allowed to be seen in the same bed
together on screen. Boop was caught in the crossfire.
Boop after the Production Code
Her appearance changed
drastically and she started wearing long dresses and cardigans. Her hoop
earrings and bracelets disappeared. She slowly lost her signature curls and got
a boyfriend, Freddie. Her personality changed and she became quieter and less
outspoken. Over time, the stories began to focus more on Boop’s supporting cast
members – Pudgy the dog, Koko the Clown and the eccentric Grampy – and less on
her. The audience began to lose interest and production of new Boop cartoons came to an end in 1939. Questel
retired from voice acting to start a family around the same time. Fleischer
Studios had financial issues and was defunct by 1942. Boop faded into
obscurity.
Betty
Boop
cartoons were among the first to enter television syndication in the 1970s. She
found a new audience and resurgence here. Boop made a cameo in Who Framed Roger Rabbit (1988). She
appeared in her original black and white form and was, again, voiced by Mae
Questel. Besides some failed TV specials over the last thirty years, no new Betty Boop comeback has occurred. Questel
passed away in 1998. Boop’s creator, Max Fleischer, died in 1972. These days
Boop exists only in merchandise and for her nostalgia factor.
Boop in Who Framed Roger Rabbit (1988)
By: Matthew J. Healy
Author’s
Note: Betty Boop Through the Years is dedicated to my mum,
Sherryn Mary Kernaghan, an original Boop revival fan who left this world too
soon. Your love and inspiration still guide me, and I still hear your voice in
my head telling me off whenever I do something stupid.
Sources:
100 Little Known Facts
About Betty Boop
(http://bettyboop.wikia.com/wiki/100_Little_Known_Facts_About_Betty_Boop)
Betty Boop and the
Production Code of 1934 (http://www.oocities.org/d-patanella/boop.html)
Betty Boop – Under The
Production Code
(http://www.liquisearch.com/betty_boop/under_the_production_code)
Clara Bow Biography.com
(https://www.biography.com/people/clara-bow-9221851)
Helen Kane
(http://bettyboop.wikia.com/wiki/Helen_Kane)
Mae Questel: The Voice
Behind Betty Boop
(https://www.biography.com/news/voice-of-betty-boop-mae-questel)
Max Fleischer Biography.com
(https://www.biography.com/people/max-fleischer-082515)
The Forgotten Black Woman
Behind Betty Boop
(https://www.thecut.com/2017/03/the-forgotten-black-woman-behind-betty-boop.html)
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